Chum Kiu: Thrusting and Turning
Sun, Nov 27 2011 07:23
| rules, kung fu, form, technique, hitting, practice, footwork, siu num tao, chum kiu, strikes, martial arts, power, Wing Tsun Kung fu, flexibility, martial arts Altrincham
| Permalink
For those of you that remember my last blog entry about the Chum Kiu you'll realise that words can rarely do justice to something as complex and fundamental as form to a martial art such as Wing Tsun. I'm doing my best to have a go though!
However it is important to recognise that the first "new" section in the form is one which equips a student with the ability to understand the defensive capabilities of the system whilst improving the relationship between moving the arms and body correctly within the IRAS.
A double jum sau allows one to sink not just the arms but the centre of gravity into the stance with the realisation that Chum Kiu operates on two lines not just one as in Siu Num Tau. Using the undualtion of the spine to lift the jum saus along with your centre of gravity parctices balance and structure, particularly when thrusting the arms out into Biu Tze saus.
The relaxtion needed not to uproot the student during Biu Tze sau promotes good balance and control. Usually thought of as an eye strike the technique offers a student solutions to drawing an attackers arms down to the centre of mass.
This is followed by a very tricky idea within Wing Tsun forms. The arms must be folded into double lan sau - elbows kept at 90 degrees in front of the solar plexus, and the full range of motion within the stance is needed to allow you to sink into a 90 degree turn. "Sitting" on the back leg places you into a very traditional Wing Tsun stance with the front leg free to step/kick as necessary. It also reminds us to draw all of your power in and down so you are not floating in a precarious position.
From an application point of view the technique offers various uses. Conceptually it teaches us to turn with power, speed and balance. When grappling this can be useful to shake off attackers looking to grapple the upper body or pin the arms. It also teaches us to move around a solid object or force without pushing against it or into it - this allows the Wing Tsun exponent to be soft and difficult to track by an attacker. It also implies that from the Biu Tze saus you can pull an opponent's head sharply down and to the side destroying their stance and leaving them incredibly vulnerable to counters.
By building up a solid base which can move, the Chum Kiu emphasises the need for balance and keeping the arms moving in proportion to the body. If one moves without the other your power and structure is broken. This leaves you weak and twisted in structure. While this may be less of a problem in more advanced systems and emergency techniques it is important to establish good practice amongst beginners.
From here the opening of the arms with double fook saus invites us to expand the chest and lever apart both our arms and those of our attackers. The three pak saus with tok saus have simple applications to break the balance of an attacker using the disruption of their joints. Followed by three palm strikes the student is given a clear message to attack back in using quick and powerful strikes whilst an assailant is off balance.
Drawing the arm back across the body it is important that as the student splits the arms into a lan sau and sau chong that they return to neutral stance. Skipping this point encoruages bad habits and poor structure. Pausing albeit briefly demonstrates great control. It also reminds the student to focus on holding the lan sau at chest height and not towards the throat or even chin as some people will commonly do.
Moving all the way over to the other 90 degree turn with a lan sau teaches the student the depth of IRAS and our ability to move. The split amongst the lan sau and sau chong as well as the sink into the stance is crucial in teaching the student how to keep out an opponents force. Turning the forearm upwards slightly allows the lan sau to become stronger and more resillient.
Forming a double tan sau reminds the student that Chum Kiu also uses one line and nods towards the lessons of the previous Siu Num Tau. Compression of the double tan into the hip allows the student to push themselves around the own centre and make a bong sau wu sau at a 45 degree angle. It is crucial the student understands to face "forwards" looking over the bong sau and in line with their wu.
These steps are teaching us how to move around a changing attacker not multiple attackers or one which can teleport! Constant referral to the direction of an attack is necessary in all aspects of Wing Tsun. Moving between the double tan and bong sau wu sau three times emphasises the use of three repetitions throught the Wing Tsun forms to teach an important idea. It also shows how we can change easily between very defensive and deep 90 degree turns and more attacking 45 turns which help us slip and evade attacks rather than contain them like the former.
The punch over the top of the final lan sau reminds us to keep our arms over the lan sau to avoid them being trapped by being pulled down and develops power and range whilst in the 90 degree stance. Likewise when drawing the arm across into the fak sau it is important the legs are pulled back into neutral stance and the "whip" of the fak sau is then achieved using the softeness in the shoulder joint to make the technique powerful.
The arm is withdrawn and sunken back into the hip. This ensures the following strike is at eye height but launched from a solid and stable base. Be careful that the hand finishes on the centre line as crossing it will pull the shoulders apart and destroy your structure. The heun sau and return to sau chong signifies the end of the section as inkeeping with the Siu Num Tau.
The fact this is repeated on the other side shows how important the lessons contained within these movements are. Likewise it teaches us to train both sides with the mechanics and spatial awareness handed down by the section. Overall it is an important preparation not just for learning to defend and move coherently but for assigning the weight and balance onto one leg allowing us the ability to kick and step in the subsequent sections. That however is another long and complex blog post for another time!
Happy training!
However it is important to recognise that the first "new" section in the form is one which equips a student with the ability to understand the defensive capabilities of the system whilst improving the relationship between moving the arms and body correctly within the IRAS.
A double jum sau allows one to sink not just the arms but the centre of gravity into the stance with the realisation that Chum Kiu operates on two lines not just one as in Siu Num Tau. Using the undualtion of the spine to lift the jum saus along with your centre of gravity parctices balance and structure, particularly when thrusting the arms out into Biu Tze saus.
The relaxtion needed not to uproot the student during Biu Tze sau promotes good balance and control. Usually thought of as an eye strike the technique offers a student solutions to drawing an attackers arms down to the centre of mass.
This is followed by a very tricky idea within Wing Tsun forms. The arms must be folded into double lan sau - elbows kept at 90 degrees in front of the solar plexus, and the full range of motion within the stance is needed to allow you to sink into a 90 degree turn. "Sitting" on the back leg places you into a very traditional Wing Tsun stance with the front leg free to step/kick as necessary. It also reminds us to draw all of your power in and down so you are not floating in a precarious position.
From an application point of view the technique offers various uses. Conceptually it teaches us to turn with power, speed and balance. When grappling this can be useful to shake off attackers looking to grapple the upper body or pin the arms. It also teaches us to move around a solid object or force without pushing against it or into it - this allows the Wing Tsun exponent to be soft and difficult to track by an attacker. It also implies that from the Biu Tze saus you can pull an opponent's head sharply down and to the side destroying their stance and leaving them incredibly vulnerable to counters.
By building up a solid base which can move, the Chum Kiu emphasises the need for balance and keeping the arms moving in proportion to the body. If one moves without the other your power and structure is broken. This leaves you weak and twisted in structure. While this may be less of a problem in more advanced systems and emergency techniques it is important to establish good practice amongst beginners.
From here the opening of the arms with double fook saus invites us to expand the chest and lever apart both our arms and those of our attackers. The three pak saus with tok saus have simple applications to break the balance of an attacker using the disruption of their joints. Followed by three palm strikes the student is given a clear message to attack back in using quick and powerful strikes whilst an assailant is off balance.
Drawing the arm back across the body it is important that as the student splits the arms into a lan sau and sau chong that they return to neutral stance. Skipping this point encoruages bad habits and poor structure. Pausing albeit briefly demonstrates great control. It also reminds the student to focus on holding the lan sau at chest height and not towards the throat or even chin as some people will commonly do.
Moving all the way over to the other 90 degree turn with a lan sau teaches the student the depth of IRAS and our ability to move. The split amongst the lan sau and sau chong as well as the sink into the stance is crucial in teaching the student how to keep out an opponents force. Turning the forearm upwards slightly allows the lan sau to become stronger and more resillient.
Forming a double tan sau reminds the student that Chum Kiu also uses one line and nods towards the lessons of the previous Siu Num Tau. Compression of the double tan into the hip allows the student to push themselves around the own centre and make a bong sau wu sau at a 45 degree angle. It is crucial the student understands to face "forwards" looking over the bong sau and in line with their wu.
These steps are teaching us how to move around a changing attacker not multiple attackers or one which can teleport! Constant referral to the direction of an attack is necessary in all aspects of Wing Tsun. Moving between the double tan and bong sau wu sau three times emphasises the use of three repetitions throught the Wing Tsun forms to teach an important idea. It also shows how we can change easily between very defensive and deep 90 degree turns and more attacking 45 turns which help us slip and evade attacks rather than contain them like the former.
The punch over the top of the final lan sau reminds us to keep our arms over the lan sau to avoid them being trapped by being pulled down and develops power and range whilst in the 90 degree stance. Likewise when drawing the arm across into the fak sau it is important the legs are pulled back into neutral stance and the "whip" of the fak sau is then achieved using the softeness in the shoulder joint to make the technique powerful.
The arm is withdrawn and sunken back into the hip. This ensures the following strike is at eye height but launched from a solid and stable base. Be careful that the hand finishes on the centre line as crossing it will pull the shoulders apart and destroy your structure. The heun sau and return to sau chong signifies the end of the section as inkeeping with the Siu Num Tau.
The fact this is repeated on the other side shows how important the lessons contained within these movements are. Likewise it teaches us to train both sides with the mechanics and spatial awareness handed down by the section. Overall it is an important preparation not just for learning to defend and move coherently but for assigning the weight and balance onto one leg allowing us the ability to kick and step in the subsequent sections. That however is another long and complex blog post for another time!
Happy training!
A simple workout
Sat, Nov 26 2011 02:42
| stamina, sport, health, fighters, strength, stretching, MMA, martial arts, power, cardio, weightlifting, exercise, Wing Tsun Kung fu, fitness, flexibility, martial arts Altrincham, sparring, conditioning
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I've been already toying with my January ritual of getting back into shape and healthy. It seems another year older, another year wiser, another year of good intentions.
I'm the first to admit my willpower and discipline when it comes to diet, exercise and tipping myself that extra 5% or so into being more athletic. The demands of martial arts are sometimes a heavy burden - especially if you let them be. However as a teacher, as somone who practices more than just casually it is perhaps reaosnable that I should set by example.
With this in mind I've been reinventing the wheel so to speak. None of these exercises are particularly complicated, fancy or specific. They are however demanding, effective and designed to promote muscle growth, fat loss and improved performance.
The first concept relates to what. What should I work? The answer as always is as much as possible. Big muscles groups utilising as many joints as possible.
By dividing the body in half to upper and lower, and then in half again to front and back I am able to isolate large muscle groups to focus on each set and rotate them to avoid muscle fatigue and lactic acid build up.
The principle of alternating the upper body one set with the lower body the next, combined with alternating front of body exercies with the back of body exercises means you only have to choose four exercises and the order is dictated by the first one you choose.
The next answer is how much? My response depends on your own aims and preference on volume. For me the German system of 10x10 sets x reps and my preference of using light/body weight is ideal. This can be played with though if you want to bulk up; drop the numbers and increase the weight. If you want to up endurance and leaness up the numbers and drop the weight (ideally bodyweight only).
Here's a guidline to one 8 week rotation: I use a 12kg Kettlebell, a 40lb resistance cable and my own bodyweight.
Day 1:
Lower back: Clean and Press with KB swing (5 Left and 5 Right)
Upper Front: Press Ups
Lower Front: Sumo Squats (KB in upturned grip)
Upper Back: Lat Pull Downs
Day 2:
5 x 2min rounds of shadowboxing
30 seconds rest
Day 3:
Lower Back: Sprawl and tuck jump
Upper Front: Press Ups
Lower Front: Kettlebell Lunges (5 Left 5 Right)
Upper Back: Bent Over Rows
Day 4: Rest
Day 5:
Lower Back: One Arm Deadlift (5 Left 5 Right)
Upper Front: Crusher Bicep Curls (press the palms into the bell of the KB and curl)
Lower Front: Hindu Squats
Upper Back: Tricep Pull Downs
Day 6 & 7: Rest
Start each workout with a light cardio set to raise the pulse - finish with an all over set of stretching.
If an exercise is too difficult, painful STOP! If you can't finish your sets without puking/wanting to puke/decent form STOP! Don't do long term harm learn what your body can do and respond to it.
Let me know what you think. Where improvements can be made. What you'd change.
Happy training!
I'm the first to admit my willpower and discipline when it comes to diet, exercise and tipping myself that extra 5% or so into being more athletic. The demands of martial arts are sometimes a heavy burden - especially if you let them be. However as a teacher, as somone who practices more than just casually it is perhaps reaosnable that I should set by example.
With this in mind I've been reinventing the wheel so to speak. None of these exercises are particularly complicated, fancy or specific. They are however demanding, effective and designed to promote muscle growth, fat loss and improved performance.
The first concept relates to what. What should I work? The answer as always is as much as possible. Big muscles groups utilising as many joints as possible.
By dividing the body in half to upper and lower, and then in half again to front and back I am able to isolate large muscle groups to focus on each set and rotate them to avoid muscle fatigue and lactic acid build up.
The principle of alternating the upper body one set with the lower body the next, combined with alternating front of body exercies with the back of body exercises means you only have to choose four exercises and the order is dictated by the first one you choose.
The next answer is how much? My response depends on your own aims and preference on volume. For me the German system of 10x10 sets x reps and my preference of using light/body weight is ideal. This can be played with though if you want to bulk up; drop the numbers and increase the weight. If you want to up endurance and leaness up the numbers and drop the weight (ideally bodyweight only).
Here's a guidline to one 8 week rotation: I use a 12kg Kettlebell, a 40lb resistance cable and my own bodyweight.
Day 1:
Lower back: Clean and Press with KB swing (5 Left and 5 Right)
Upper Front: Press Ups
Lower Front: Sumo Squats (KB in upturned grip)
Upper Back: Lat Pull Downs
Day 2:
5 x 2min rounds of shadowboxing
30 seconds rest
Day 3:
Lower Back: Sprawl and tuck jump
Upper Front: Press Ups
Lower Front: Kettlebell Lunges (5 Left 5 Right)
Upper Back: Bent Over Rows
Day 4: Rest
Day 5:
Lower Back: One Arm Deadlift (5 Left 5 Right)
Upper Front: Crusher Bicep Curls (press the palms into the bell of the KB and curl)
Lower Front: Hindu Squats
Upper Back: Tricep Pull Downs
Day 6 & 7: Rest
Start each workout with a light cardio set to raise the pulse - finish with an all over set of stretching.
If an exercise is too difficult, painful STOP! If you can't finish your sets without puking/wanting to puke/decent form STOP! Don't do long term harm learn what your body can do and respond to it.
Let me know what you think. Where improvements can be made. What you'd change.
Happy training!
The Holy Trinity
Tue, Aug 30 2011 10:30
| stamina, training, exercise, strength, martial arts Altrincham, flexibility, fitness, stretching, conditioning
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There are three main exercises I highly recommend anyone who does martial arts to explore. The first one is the Hindu press up. As the name suggests it's of Indian origin and used by wrestlers for centuries to build upper body strength, co-ordination and flexibility.
Done correctly these press-ups help develop and condition the upper body with stunning effectiveness. By helping the joints and muscles stretch gradually you can develop greater mobility in the shoulders which is ideal for Wing Tsun and other arts. Similarly the use of the core and lower back throughout the movement builds core strength as well as stamina.
Here's a great example of Steve Maxwell performing Hindu press-ups expertly. As you can see the movements employ a large range of motion and all of the major muscle groups making it holistic as well as functional.
The next movement I want to talk about is the Hindu squat. From the same roots as the press up these squats are designed to must the same but for the lower body. A deep movement that employs the quads and recruits the knee and ankle joints it offers you a way develop your muscles and learn how to balance effectively.
As you can see from another example by Steve Maxwell this movement requires some practise. Unlike the press-up you are balancing on two points instead of four and to add to the challenge you are raising your heels at the bottom of the movement!
I would advise caution when first trying to learn this movement. Too much too soon can place unwanted strain on your joints and lead to injury. Go slowly and build up the reps as you feel comfortable - there's no rush.
The last movement I'd like to look at is the Cross Arm sit up. By folding your arms across your chest you add weight and resistance to the movement and by holding onto the shoulders you can cheat with momentum like many fancy core exercises you may come across. This means your muscles do all the work and you build up general and impressive abdominal strength.
What I like about this version is it's simplicity. Also if at first you find it difficult you can make it easier by holding the arms straight out in front of you. If that become too difficult you can place them on your thighs and slide them up and down. Eventually when you build up the strength you can go back to holding your arms on your chest.
You'll notice these three exercises cover all the main areas of the body. They are also compound movements (well the press-ups and squats are) which recruit all the major muscle groups and supporting muscles at once. This means you can exercises efficiently and effectively. Combining all three in a work out is an excellent way to get into shape!
There are all kinds of combinations you can use 3 sets of 25 reps of each exercises is a fantastic workout to get started with. If that proves too much lower the reps to 10 or 15.
Likewise if you want to build up muscle mass and stamina a 10 x 10 workout is a killer! Try it some time and see what you think. However I would caution you to make sure you learn the movements first. Ensure you are strong enough to perform each movement with perfect form and avoid injury.
The best thing about these exercises is that they can be done anywhere with space at any time and as much or as little as you see fit. There are tales of athletes performing rep after rep for hours on end. I dropped in 100 squats to my workout yesterday with relative ease and it felt great! So give them a go, see what you think and let me know how you get on!
Happy training!